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“Uniquely Yours” Skits

You don’t need to write your own skit in order to have one that is uniquely yours, and uniquely adapted to your event theme.

First of all, no matter what skit script you use–your performance will always be unique.  Your ladies, mostly with little experience performing, will create a production made unique and special by their personal interpretations of the characters (including movements, costuming and voice accents).  On top of that, I have never produced a skit with amateur actresses that did not have some ad-libbing, particularly when there are mistakes made on stage. This adds its own unique element to the skit.

Second, skits can be easily made applicable to your particular event theme or scripture simply by adding narration to the beginning or end of the skit that makes the connection more obvious to the audience. Obviously, due to copyright concerns, it is not right to change the script.  But, skits don’t have to be custom-made for your particular theme.  They just need to relate, and the narration can bring the lessons home that you wish to emphasize.  In fact, many of our skits are broad enough that they could be made applicable for your specific theme just by adding your comments at the beginning or end.

 

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The Value of a Read-Through

Once the skit has been written or selected, the next thing we do is have a read-through.  Anyone who has volunteered to help with the skit in any capacity is invited, and I may make a few special invitations to people I think may like to be involved in the skit or whom I consider to be perfect for a part in the skit. All are given the skit ahead of time, so they can become familiar with it.  At this point, few, if any, parts have been assigned, but if people tell me that they are interested in a certain part, I take note of that.  During the read-through, several things are going on:

  • I am listening for those who read the parts and really “get” the characters.  I may let various people read each part.
  • We read-through slowly, taking time to discuss ideas for sets, props and costumes.  When things are brought up in the group, we can discuss who has that particular skill or item.  For instance, in our last skit, we thought it would be fun to have an antique typewrite as a prop; lo and behold, someone had one and was willing to bring it.  And by the way, anyone who contributes a prop or costume is responsible to find it and bring it home after the skit is over!
  • I always assign a “secretary” to take notes during the read-through.  I have found that it is too much for me to keep track of all the ideas that are brought up.  If people say that they have a certain prop or costume item, it is written down.
  • We make a list of props needed for each act of a multiple-act skit.
  • As the skit is read aloud, we find lines that do not work well, or are not easy to say.  Corrections and suggestions are made during the read-through which will be added to the final script.  Sometimes ladies will ad-lib some pretty funny lines which are added to the final skit script.

By the end of a read -through, I hopefully have a pretty good idea of who will be doing what, and more importantly, we all have a somewhat united vision of what the skit will look like on stage.

**Important Note:  Don’t assign a role permanently to anyone who has not registered for the retreat!

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Skit Writing – Adding the Humor

laughing_emoticonOne of the reasons it is helpful to collaborate with a small team in writing skits is that it is easier to come up with humorous elements!  While our primary purpose for the skit is to communicate the spiritual message of the retreat or event, we want our skits to be entertaining as well.  Not all skits need to be humorous, but we try to bring in as much humor as possible. I’ve learned from my co-writers, Kelly and Valerie, some easy techniques to adding humor to our skits.

* Much of the humor in a skit may be unintentional, developed on stage as characters ad-lib and even make mistakes!  We want the message of the skit to get across, and we always try to stick to the script; however, mistakes happen, and they can be funny!

* One way we purposely add humor is in the over-the-top characters who may be funny just to look at because of her exaggerated expressions or costume; but if we give her a way of saying a certain line or response (such as a funny accent, mimicking a well known personality or speaking with exaggerated sarcasm), she is funny without uttering a single humorous line.  For instance, one character chose to base her character on “The Crocodile Hunter” (Steve Irwin) – using his accent and passionate way of expressing himself.

* Another effective way we add humor is to have a running gag throughout the skit–perhaps it is a line that is repeated by a character throughout the skit.  We use this quite often.  For instance, in a skit built around an old west theme, we had a deputy who had only one line that was repeated throughout the skit:  “I guess you be right about that!”  The first time it was said, it may not have seemed funny; but by the sixth or seventh time she said the line, the audience was anticipating it and ready to laugh.  In our most recent skit (see our free downloadable skit “Mail Order Bride–Journey to True Love”), one of the main characters was a journalist writing a newspaper series about a mail-order bride.  Every time she spoke, she referred to something she had learned as “ABSOLUTELY FASCINATING!”

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Skit Writing

woman_thinking

This entry begins a series of blogs about skits.  Perhaps you can find a script on our website or another website which you can use.  But maybe you have those in your women’s ministry who would like to try their hand at it!

The process of skit writing must be bathed in prayer.  God is the ultimate creative writer, and He has been faithful to inspire and direct our skit writing efforts.  Every year, as we view the final product of our efforts on stage, we know without a doubt that it is a “God-Thing” that would have been impossible without Him.

I’m sure everyone’s creative process is different.  However, skit writing, for us, begins with a “brainstorming” session. I like to have no more than three other people working with me, thinking out loud as we prayerfully consider our theme, and discuss various skit scenarios in an effort to come up with a plot line that will best communicate the personal application of the theme.  This is part one of our process.  At our brainstorming session for our most recent retreat title “A Significant Journey” based on Psalm 84:5, we talked about various journeys one could take.  Our conclusion was the idea of a mail-order bride, whose journey across country would bring her to her beloved whom she had never met in person.

Part two will be a skit writing process where too many voices make writing difficult.  Using our notes from the brainstorming session, two or three of us get together to work out characters and develop the framework of the skit.   For us, it is easiest to get a skeleton of the skit written before we invite other people to contribute.  By the end of this meeting, we have a framework of the skit plot in a very basic written format and we know where we are going with it and how it will end.  A very rough draft should be completed.

Part three will be the writing of the final skit.  This may actually take more than one meeting.  At this point, we have a draft of the skit written, but we need to work on the characters and more fully flesh out their personalities through the dialogue.  We may even discuss gestures, dialect and costuming a bit.  At this meeting, what we have found works best for us is for one person to sit at the computer while everyone else takes a character of the skit, and the skit is read out loud.  By hearing the lines read aloud, we can hear awkward wording and add funny lines as we actually interact with one another in character during this part of the process.

A final review of the skit considers where scripture or biblical allusions can be added to make the spiritual application of the skit as clear as possible to the audience.

Sound simple?  Let me assure you that it isn’t.  I like to ask our intercessory prayer ministry to be praying for the writing of the skit for several weeks prior to beginning.  No writing project is particularly easy, but skits with the purpose of ministry at a retreat face heavier than normal spiritual attack.

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